Bhojpuri लेबलों वाले संदेश दिखाए जा रहे हैं. सभी संदेश दिखाएं
Bhojpuri लेबलों वाले संदेश दिखाए जा रहे हैं. सभी संदेश दिखाएं

गुरुवार, 25 अगस्त 2011

Kalpana Patowary - The Legacy of Bhikhari Thakur.



Bhojpuri music is always looked down upon in the mainstream industry. It is time that people & media believe in our work and let good music come out. Someone has to bear. I took the responsibility producing the album rather than complain.

Says Kalpana, I had been to Deva Sharif, Bara Banki U.P to pray for this exclusive project. In a press conference in Bara Banki, I had made a statement that Bhojpuri music has given me a lot and expressed my desire to the media to see Bhojpuri music in International markets. Many so called critics and some of my contemporary singer friends commented sarcastically and tried to prove my statement wrong. (by which songs I’ll take Bhojpuri music to that level….usually Bhojpuri songs has double meaning songs). I kept mum as I believe it’s was better.

But with this release, she proved herself once again, her devotion to Bhojpuri music. She has kept her word to take Bhojpuri music to International platform.

बुधवार, 23 फ़रवरी 2011

Kalpana's musical tribute to Bhojpuri poet.


 Album with nine tracks will be released in Mumbai next month.


AMIT BHELARI
Patna: Singer Kalpana has taken up a new challenge. She is busy these days recording for her latest album based on the poems of Bhikhari Thakur, known as the Shakespeare of Bhojpuri literature.
Very few singers have taken the initiative to sing compositions of Bhikhari Thakur. Kalpana is the one of them. The album — The Legacy of Bhikhari Thakur — will be released in Mumbai next month and later on in London. The nine tracks in her album include Bhikhari ParichayRaas LeelaRam Leela Gaan and Vidhata. On her decision to cut an album on the poems of Bhikhari Thakur, Kalpana said: “He does not need any introduction among the residents of Bihar or other Bhojpuri-speaking people. But the so-called mainstream culture has always been silent on his contributions. They even avoid mentioning his name.” Kalpana told The Telegraph over the phone from Mumbai: “I feel special when I am called a popular Bhojpuri singer. But with such an honour comes a strong sense of responsibility as well — to introduce people to the roots of Bhojpuri music and let it stand in the global music scenario with its real identity.”
She said: “Three districts — Ara and Chhapra from Bihar and Balia from Uttar Pradesh — make up what is today known as Bhojpur and the dialect spoken by the people of these areas is Bhojpuri. Now Awadhi, Banarsi, Maghai, Angika and even Maithili are also considered a part of Bhojpuri culture. But the core of Bhopuri boli (dialect) is limited to Ara, Chhapra and Balia. We also have to know the authenticity of Bhojpuri music in its raw form. The answer to all these is Thakur. But who is aware about his contribution?”
Kalpana had to do a lot of research before embarking on the album based on compositions of Thakur. It became Kalpana’s passion to keep the legend of Thakur alive and introduce the real Bhojpuri music to the world.
She said: “I did a lot of research over three years and visited remote areas in Bihar to collect more information on Thakur. I went to Bakhorapur, a remote village in Ara town, to perform at a cultural show. An aged man came up to sing Thakur’s Bidesia before my performance and I was touched by it. His performance was very rustic but his voice was melodious. He was a nartak in the original Bhikhari Thakur mandali. I took blessings from him to sing Thakur’s compositions in its original form.”
Kalpana said: “I have heard many renditions of the song by several artistes and even in films. It was good but I felt it was more of a remixed version. But this man had a completely different presentation. Once I came back to Mumbai I got busy with my professional commitments. However, I still had the desire and tried to find information on Thakur on the internet. I even went to Patna to search for books on Thakur but failed to get anything.”
“After a year, a local Patna artiste came up with Bhikhari Rachnawali, a book published by Rashtrabhasha Parishad, Bihar. It gave me all the facts about the social, political and spiritual elements in Thakur’s time. One challenge still remained — from where to get the original thekas (rhythm) and compositions sung by Thakur himself. I went back to Bakhorapur to meet thenartak and requested him to sing for me. He understood my intentions and agreed.”
Bhikhari Thakur, whose birth anniversary falls on December 18, was a folk poet, singer, dancer and actor. His creations truly reflect the Bhojpuri culture.



रविवार, 13 फ़रवरी 2011

1st Bhikhari Thakur Festival to create history in the pious city of Kolkata.





Bhikari Thakur  was an Indian author popularly known as the "Shakespeare  of  Bhojpuri". Thakur was born in a barber-family on 18 December 1887 at Kutubpur ( Diyara) Village in Saran District. He is best known for the creation of the twentieth century theatre form Bidesia. Bhikari Thakur was a barber (a backward Caste) who abandoned home and hearth to form a group of actors who dealt with issues of confrontation: between the traditional and the modern, between urban and rural, between the haves and the have-nots. Appreciative native Bhojpuri audiences consider          Bhikari Thakur as the incomparable founder father, propagator and exponent par excellence of this form. He was a folk poet, a folk singer, a folk dancer and  actor.


A festival in the reminiscence of the legend Bhikhari Thakur is being celebrated on 15th March, 2011 at 6pm.
venue
kalamandir